The past few days have been hectic, so I had to forgo one of my instalments for the series.
But here's the next one.
The past few days have been hectic, so I had to forgo one of my instalments for the series.
But here's the next one.
Some Prunus cerasifera flowers I captured last Saturday during a solo photo walk in Hitchin.
Spring is coming.
Whilst staying with my uncle and his partner in the southern suburbs of Brisbane, shortly after arriving in Australia in June, I ventured out to purchase various devices I lacked.
I had never needed a UK-to-Australian adaptor outside my Apple travel kit, but I relied on a Windows laptop from my day job on this visit. I also needed a replacement cable for my iPhone to feed into my Apple adaptor as my existing cable was lightning to lightning, not lightning to USB, and the adaptor was many years old.
All that is beside the point, really.
The point is that I walked from my uncle's to one of the three plus shopping centres "nearby" (all were at least a 20-minute walk) to get such items, and I took my camera, foreseeing that I could capture something of the local area.
My uncle was somewhat sceptical of what I might find to photograph along the way. Which was, in fairness, understandable. Except my idea of photogenic is often not the same as others’.
These and other flowers I photographed in parkland near my uncle's home were more traditionally photogenic. But, had I not had my camera with me, I wouldn't have captured them (well, I would have, with my phone, as I did, but not at the same quality).
The odd thing, though, has been coming back to these photos months later, knowing they are frangipanis and having Wikipedia tell me that Australia recognises a different tree as a frangipani.
This genus is the only frangipani I know as someone who grew up in Canberra, Brisbane, Darwin, Melbourne, country Victoria, and later in life lived on the Gold Coast, and I photographed these in a park in Sunnybank Hills, Brisbane.
We had what I believe to be a plumeria obtusa on the nature strip at the front of the house we rented in Darwin. I remember the fragrant flowers and climbing into its branches to lounge whilst listening to Madonna's album, Like a Virgin, playing from the cassette player I'd fed out my bedroom window onto the table on the balcony.
I looked up where our house used to be in Rapid Creek (or Nightcliff, as we knew it to be at the time), and though the house is long gone (I already knew this from previous searches of former homes), I'm pleased to say the frangipani tree was still standing in 2021.
When travelling, my camera is probably pointed equally at the sublime and the mundane. Whatever catches my eye.
In this case, a former butchery in West Ulverstone, Tasmania, caught my eye as Victoria drove me from our delicious brunch at Hey Buddy to West Ulverstone beach for a wander (albeit relatively brief as the weather turned wet and windy soon after).
We'd only driven about 160m when the shopfront caught my eye, and I asked Victoria to stop so I could take some photos.
I can't explain why I was drawn to it. Maybe it was the eggshell blue tiles. Maybe it was the faded signage. Maybe a combination of the two.
I don't recall if I registered the logo design fully in the moment, but that is definitely a reason I should have been drawn to it. I've included a crop of the detail of the logo (albeit not the best quality at that size) to explain why it was 100% worth stopping, in my opinion.
This year's visit to Australia was predominantly about family and officially saying goodbye to Mum.
But alongside that and reuniting with some wonderful friends, I also had the chance to (officially) say goodbye to one of my oldest friends, Anthony Horan.
My thanks go out to Anthony's brother, Chris, and mutual longtime friends, Amy and Richard, for accompanying me and making the visit possible.
It was lovely to finally meet Chris and reunite with Amy and Richard after so long.
It was a sombre visit. Rain threatened. There was much mud on the 'lawn'.
But there was also cheeky humour amongst us, in keeping with the sort of comments and jokes Anthony would have made if he'd been able to reply to us as we stood by the grave his ashes share with his father's remains.
When I visited, there was a temporary marker for Anthony and his dad. I'm sure when I visit next it will look different (if it doesn't already).
I've been catching up on sharing iPhone photos from my trip on Instagram, and this morning, I reached my photos from that day. I thought I would share them on the second anniversary of his passing in January, oblivious to the date.
But, when I remembered later in the day it was his birthday in Australia, it was obvious today was the day to share.
It's currently his birthday in Melbourne and London.
So, the penguins and I are raising a toast to an old friend.
Love and miss you, Anthony. Always. xx
If you're an Australian of a particular vintage (specifically, Generation X or Baby Boomer), I challenge you to tell me you're not thinking of Mr Squiggle's 'Rocket' while looking at my photo of Perth's Bell Tower at Elizabeth Quay.
I took this while on a whistle-stop tour of Perth with Rhys, one of my cousins.
While Kings Park was quite familiar to me, including the vista from the war memorial (which I had captured on at least one previous visit), the view had markedly changed in the roughly 20-30 years since I'd last photographed it.
This building and other high rises have since populated (and are still adding to) the skyline on Elizabeth Quay.
Although the architecture is vastly different: The Bell Tower is on a river, while the National Carillon is on an island in a manmade lake, and they are on almost direct opposite sides of the big, brown land we call Australia, I couldn't help but think of the near-annual visits my brothers and I took with my Granddad to the National Carillon on Queen Elizabeth II Island in Lake Burley Griffin as kids when confronted with The Bell Tower.
Perth was the city my grandparents moved to after decades lived in Canberra, and it was while visiting them in late high school that I first saw Perth.
I still feel I've only scratched the surface of Perth after about four visits, but there's something comforting about the same-same-but-different elements of the city to Canberra.
I'm sure that if my brothers, cousins and I were kids now and my grandparents were still alive and living in Perth, my Granddad would take us to The Bell Tower annually.
The final stanza of Samuel Johnson's poem about Winter (with some tweaks), inscribed on a headstone in Arbroath Abbey that I captured in April 2011.
The original quote reads:
Catch the, O! catch the transient hour,
Improve each moment as it flies;
Life's a short Summer - man a flower,
He dies - alas! how soon he dies!
Though the quote on Wikiquote varies from the above and attributes it to a poem with a different name and only cites the final stanza.
I don't have a copy of the original poem to be 100% sure which is correct, but I'm okay with artistic license on headstones.
I took this photograph of the Futurist Theatre in February 2012 while visiting Scarborough with an ex-partner, Kyle, using The Old Chapel in Baldersdale as our base.
I finally edited this photo a couple of weeks ago and looked up which road it was on in Scarborough. That was when I discovered the theatre closed in January 2014 and was demolished in August 2018.
I have to admit I gasped in shock, horror and sadness.
The place seemed somewhat comical when I photographed it.
Most British seaside towns - especially their esplanades (even if called something else) - elicit a strange combination of amusement (especially if there's a 'Pleasure Beach'), nostalgia, curiosity, wonderment and sadness for me. Maybe there's a longer piece to be written about that.
But, given its history (both iconic and terrible), it seemed shocking to have been knocked down.
And from what I can tell, the site hasn't been developed further since (which is possibly even sadder).
For a time, the Futurist Theatre had the ignominious heritage of being owned by the Black and White Minstrel Show's producer. They staged the show there many times.
But The Beatles also performed there during their Beatlemania period in 1963 and 1964.
Aside from the architecture, history, irony and nostalgia, I photographed the theatre because The Muppets was showing.
Man or Muppet became our shared earworm during that holiday. It played regularly on the northern radio stations we listened to in the rental car during our time in the region.
Despite its cheesiness, there's a snippet of the film's dialogue in the video clip for the song that got me every time. It still does.
Rievaulx is a lovely little spot in the North York Moors.
Visiting there in 2012 (when these photos were taken) inspired me to encourage my parents to visit there during their visit in 2017.
Unfortunately, on that visit, we had sleet and rain instead of smatterings of snow.
It was a lovely spot to visit on Valentine's Day.
And here's the final season's grievings image for 2021!
I hope you've enjoyed these again this year.
Let me know in the comments if you think I should continue sharing these in December 2022, or if you've had enough of this curated series!
This image is the 'before' picture of sister.
A good deed was done between captures by my companion in righting the Christmas tree that had fallen during the previous night's heavy rain.
And this is the penultimate season's grievings image for 2021!
I took this photograph in February 2012, in St Mary's churchyard, Whitby, and only just found out about the poet it was erected in honour of, Cædmon, tonight.
I've got quite a few things still left to do before midnight as today was an exceedingly lazy one, but I will have to read more about him when I get those things done.
Once again, my photography leading me to more learning and discovery :)