[I originally posted this entry as early access for my Patreon patrons on 21 December 2024].
The past few days have been hectic, so I had to forgo one of my instalments for the series.
But here's the next one.
fifty missed christmases
[I originally posted this entry as early access for my Patreon patrons on 18 December 2024].
I'm a little late for yesterday's offering, but sharing this image of an infant's grave (still?)born 51 years ago today felt timely.
(Fifty missed Christmases as of today's date).
mum at christmas
[I originally posted this entry as early access for my Patreon patrons on 15 December 2024].
DOLLY
[I originally posted this entry as early access for my Patreon patrons on 13 December 2024].
a solitary red bauble
[I originally posted this entry as early access for my Patreon patrons on 11 December 2024].
holly go lightly
[I originally posted this entry as early access for my Patreon patrons on 7 December 2024].
red bows
[I originally posted this entry as early access for my Patreon patrons on 6 December 2024].
I'm slightly behind schedule but somewhat less stressed.
Only somewhat, but I'm hopeful there will be good news to share more widely in the next few days.
Fingers crossed!
sheltering santa
[I originally posted this entry as early access for my Patreon patrons on 4 December 2024].
the reindeer section
[I originally posted this entry as early access for my Patreon patrons on 4 December 2024].
My life is currently so chaotic, messy and stressful that I almost forgot it's time for season's grievings.
My current mood is something akin to this reindeer Christmas decoration on a child's grave in Pinner New Cemetery that I photographed just under a year ago.
I'm sharing this for patrons only a few hours instead of two days early to allow me to catch up.
I'll post the second image for this year later today, which will be closer to a day early.
The third will be posted tomorrow, two days early, and then I'll be back on schedule.
While I'm here and referencing the Scottish supergroup with my title for today's instalment, I highly recommend giving them a listen (if you haven't previously), specifically their second album, Son of Evil Reindeer.
in the arcade
[I originally posted this entry as early access for my Patreon patrons on 2 July 2024].
In May 2012, I flew to Budapest to meet with my parents, who were travelling through Europe.
We stayed in a small hotel, the Leo Panzió, on Ferenciek tere, near the metro station of the same name, not far from Erzsébet híd (Elizabeth Bridge).
On our first full day exploring the city, we started out slowly, each capturing the street and architecture near our hotel with our cameras.
Soon after venturing out, a fellow approached my dad, seeing the three of us with our cameras in hand and furiously snapping away.
I still don't know if the fellow was homeless or just a random passerby. I didn't speak to him much myself until the end of our 'tour' and, as we followed him into the building, I won't lie: alarm bells were quietly going off in my head for us as three non-Hungarian tourists, including two women, following some random guy into a building.
Maybe it was all my parents' teachings about "stranger danger" coming up from childhood, the knowledge that many tourists are scammed while travelling, or simply being a woman and aware that following strange men into unfamiliar places is not recommended.
Nevertheless, my dad was less cautious. And I will always be thankful for his trust in this fellow and what the fellow showed us that we would otherwise likely never have discovered.
We had been photographing the exterior of what had been known as Brudern-ház (Brudern House). It was rebuilt as the headquarters of the Belvárosi Takarékpénztár (the Downtown Savings Bank) starting in 1909 and contains the Párizsi udvar ('Parisi udvar' according to the signage on the building).
Google translates 'Párisi udvar' to 'Parisian courtyard', but 'Párizsi udvar' translates to 'Paris Court' and seems more commonly used. Based on the place and information from Wikipedia, the arcade was modelled on Parisian arcades, specifically, the Passage des Panoramas, and it incorporates Indian, Islamic and Moorish elements.
The building's architect, Henrik Schmahl, died in 1912 while undergoing intestinal surgery before the building's completion. Pál Lipták, the building's construction manager, oversaw the completion of the building.
When we followed the fellow through the fancy entrance with MCMIX written above it, we found ourselves in a mostly vacant, partially derelict but extravagantly beautiful former shopping arcade.
Signage told us the arcade used to house a store selling fine carpets. Another store sold leather goods, and another sold gold jewellery.
However, in May 2012, the arcade housed very little for sale.
It did, however, house a grand interior replete with lifts, telephone booths, ornate staircases, a magnificent ceiling, mosaic flooring, and classic shopfronts facing into the arcade and onto the street.
There were broken glass panels and some graffiti, but most of the arcade still seemed to be in a relatively good state. Little visible to us appeared to be unsafe.
The blue modern payphones were incongruous in their booths. But time had marched on in Budapest, and time had since continued its forward march beyond the usefulness of public telephones with the prevalence of mobile phones.
Despite still feeling a little nervous about whether we had walked into a trap for tourists, I snapped away in every direction, in thrall with my surroundings.
After we had seen and photographed our fill and my dad had tipped our impromptu tour guide for his advice, we moved on. But the place stayed in my mind.
So much so that, a couple of years later, watching an episode of Penny Dreadful, I was overcome by déja vu as Vanessa Ives entered a shop in an arcade. It took me mere moments to realise where the scene was filmed.
It was lovely to see the arcade appear lovingly restored and close to the appropriate period (the opening narrative of Penny Dreadful takes place in 1891, and the building was completed in 1913).
Over the years, I've spoken with friends about it and discussed the place and the circumstances of our visit there with my dad.
A while back, I went to seek the building out on Google Street View and discovered the building had been restored and is now a five-star Hyatt hotel.
As much as perhaps that isn't my ideal outcome for its restoration, they've retained much of the arcade's glory in the refurbishment, and I'm pleased to see it's found a new lease on life.
Despite knowing the arcade's name for all this time, I only translated it as part of composing this post. In doing so, I was reminded of the writings of a German philosopher, Walter Benjamin, about Parisian arcades, Arcades Project, which I read about in a book titled Psychogeography that my friend, Phil, gifted me.
I thought it interesting that Henrik Schmahl, a German-born architect living in Hungary, decided to 'import' a Parisian arcade to Budapest.
Hopefully, one day, I'll return to Budapest to lounge in the hotel foyer with a cocktail and admire the work done to restore a gorgeous interior.
Perhaps one day, I'll also have the funds to stay in one of the rooms in the hotel to get the complete experience.
Either way, it was a highly fortuitous and unforgettable experience during our holiday.
I thank whoever that fellow was who saw us and wanted to share his knowledge of his city with us avid photographers. I will forever be grateful that, despite my initial reservations, my dad followed a random man into a seemingly abandoned building. I hope that fellow will understand and forgive my hesitation.
west lane baptist church
[I originally posted this entry as early access for my Patreon patrons on 24 February 2024].
strapped in
[I originally posted this entry as early access for my Patreon patrons on 23 February 2024].
cafe inside
[I originally posted this entry as early access for my Patreon patrons on 9 February 2024].
post-floral
blood red
Two of my self-portraits - one from my wallflowers series, the other from my plush series - are included in Issue #123: Color 2024 of F-Stop Magazine, and both feature floral motifs: the wallpaper in one and my dress in the other.
This photograph, which I took in my parents' garden in Redland Bay in 2009, of a Cordyline fruticosa (commonly known as a ti plant) doesn't include a floral motif. But the leaves are so vibrant with the backlighting that they fit the colour theme I submitted to.
Since I've already shared the two photographs included in F-Stop Magazine, I thought I'd share this one alongside the news.
untitled #186
[I originally posted this entry as early access for my Patreon patrons on 14 January 2024].
laxton's epicure
[I originally posted this entry as early access for my Patreon patrons on 6 January 2024].
sunshine on wreath
[I originally posted this entry as early access for my Patreon patrons on 24 December 2023].
tumbledown tree
[I originally posted this entry as early access for my Patreon patrons on 20 December 2023].
a single perfect snowflake
[I originally posted this entry as early access for my Patreon patrons on 17 December 2023].