of red bows and holly
resident of the month
Week two of the December project I'm doing with friends, Phil, Christina and Charlotte.
No theme, just a photo a week of whatever catches our eye.
singapore graveyard flower
Whilst staying with my uncle and his partner in the southern suburbs of Brisbane, shortly after arriving in Australia in June, I ventured out to purchase various devices I lacked.
I had never needed a UK-to-Australian adaptor outside my Apple travel kit, but I relied on a Windows laptop from my day job on this visit. I also needed a replacement cable for my iPhone to feed into my Apple adaptor as my existing cable was lightning to lightning, not lightning to USB, and the adaptor was many years old.
All that is beside the point, really.
The point is that I walked from my uncle's to one of the three plus shopping centres "nearby" (all were at least a 20-minute walk) to get such items, and I took my camera, foreseeing that I could capture something of the local area.
My uncle was somewhat sceptical of what I might find to photograph along the way. Which was, in fairness, understandable. Except my idea of photogenic is often not the same as others’.
These and other flowers I photographed in parkland near my uncle's home were more traditionally photogenic. But, had I not had my camera with me, I wouldn't have captured them (well, I would have, with my phone, as I did, but not at the same quality).
The odd thing, though, has been coming back to these photos months later, knowing they are frangipanis and having Wikipedia tell me that Australia recognises a different tree as a frangipani.
This genus is the only frangipani I know as someone who grew up in Canberra, Brisbane, Darwin, Melbourne, country Victoria, and later in life lived on the Gold Coast, and I photographed these in a park in Sunnybank Hills, Brisbane.
We had what I believe to be a plumeria obtusa on the nature strip at the front of the house we rented in Darwin. I remember the fragrant flowers and climbing into its branches to lounge whilst listening to Madonna's album, Like a Virgin, playing from the cassette player I'd fed out my bedroom window onto the table on the balcony.
I looked up where our house used to be in Rapid Creek (or Nightcliff, as we knew it to be at the time), and though the house is long gone (I already knew this from previous searches of former homes), I'm pleased to say the frangipani tree was still standing in 2021.
santa's potting shed
still life with dustpan
Week one of the December project I'm doing with friends, Phil, Christina and Charlotte.
No theme, just a photo a week of whatever catches our eye.
butchery
When travelling, my camera is probably pointed equally at the sublime and the mundane. Whatever catches my eye.
In this case, a former butchery in West Ulverstone, Tasmania, caught my eye as Victoria drove me from our delicious brunch at Hey Buddy to West Ulverstone beach for a wander (albeit relatively brief as the weather turned wet and windy soon after).
We'd only driven about 160m when the shopfront caught my eye, and I asked Victoria to stop so I could take some photos.
I can't explain why I was drawn to it. Maybe it was the eggshell blue tiles. Maybe it was the faded signage. Maybe a combination of the two.
I don't recall if I registered the logo design fully in the moment, but that is definitely a reason I should have been drawn to it. I've included a crop of the detail of the logo (albeit not the best quality at that size) to explain why it was 100% worth stopping, in my opinion.
all that glitters is not gold
never a dull moment
firethorn
I'm mixing things up a bit with a new Friday* series, fruitful, a series of photographs I've taken of fruit that complement two of my other series: a floral tribute and the fungus among us.
These berries are on the Pyracantha plant, commonly known as firethorn, and I photographed them overhanging the back fence of a home that backed onto Pondwicks Meadow in Amersham Old Town.
According to Wikipedia, the English have used firethorn to cover unsightly walls since the late 18th century.
Its thorns also make it an attractive and organic form of home security.
the old contemptibles
a bird in the hand
granny-pop-out-of-bed
This post isn't the first time I've shared a photograph of hedge bindweed for my series, a floral tribute. And I'm sure this won't be the last.
Despite being considered a noxious weed in the US and being able to overwhelm and pull down cultivated plants, including shrubs and small trees, and potentially toxic to humans and animals, I think the flowers are beautiful. I tend to photograph them in most places I find them.
In particular, because they're often found in the least beautiful places: by railway lines where people have tossed their trash, growing by or over derelict structures, in the overgrown perimeters of parks and other tended spaces (often alongside brambles and, in this case, stinging nettles).
Reading more about them, they seem like something out of a horror film: they can self-seed, and their seeds can remain viable for as long as 30 years. And whole plants can regrow from discarded roots. Apply those concepts to "dead" humans, and you have the storyline of many of my favourite horror films and novels.
looking north (from henley bridge)
i only want to be with you
the heart of the birmingham waterways
Phil - my friend and fellow photographer - and I have been plotting and planning a photo walk along the Birmingham canals for the last two summers. For various reasons, we didn't manage it.
We came close in mid-June last year, but the day I'd booked a train to head up there, rain was forecast, so we cancelled the day before. The forecast showed heavy rain on the day, so we'd made a good call.
But last weekend, we finally made good on our plans.
We coordinated to meet on the train at Warwick Parkway at about 10:43. However, that meant me waking at 06:00, getting out of bed at 06:30 and leaving my flat at 07:30. I arrived at Marylebone Station at 08:10, about 50 minutes before my train was due to depart, which was even earlier than I'd been aiming for.
We set out from Birmingham Moor Street at about 11:20 and walked along the canals from Livery Street Bridge to Spaghetti Junction (the M6/A38 junction), finishing shooting under the bridges at about 15:00.
We walked back to Aston Station, arriving there in time to get out of the rain that had just started and to catch the train back to Birmingham New Street to seek out some food for Phil and a pint for me.
Despite the rain at the tail end of the walk, we had perfect weather and a pleasant and creative day. Phil had technical issues with his camera but managed to work around them to a large extent. I had a minor anxiety attack in the last half hour, heading back from Spaghetti Junction to Aston Station, but it was an otherwise stress-free day as far as my body was concerned.
I shared my iPhone photos from the day on my Instagram on the day and over the following days.
These are just two of the over 300 photographs I took with my D700 in Birmingham.
Thanks to Phil for suggesting the walk and the wide-ranging and engaging conversation throughout.
We'll return in the spring (hopefully!) with some other friends of Phil's to revisit Spaghetti Junction and complete the ambitious circuit he'd set out for us that we didn't manage on Sunday.
also perpetuating
happy birthday, anthony
This year's visit to Australia was predominantly about family and officially saying goodbye to Mum.
But alongside that and reuniting with some wonderful friends, I also had the chance to (officially) say goodbye to one of my oldest friends, Anthony Horan.
My thanks go out to Anthony's brother, Chris, and mutual longtime friends, Amy and Richard, for accompanying me and making the visit possible.
It was lovely to finally meet Chris and reunite with Amy and Richard after so long.
It was a sombre visit. Rain threatened. There was much mud on the 'lawn'.
But there was also cheeky humour amongst us, in keeping with the sort of comments and jokes Anthony would have made if he'd been able to reply to us as we stood by the grave his ashes share with his father's remains.
When I visited, there was a temporary marker for Anthony and his dad. I'm sure when I visit next it will look different (if it doesn't already).
I've been catching up on sharing iPhone photos from my trip on Instagram, and this morning, I reached my photos from that day. I thought I would share them on the second anniversary of his passing in January, oblivious to the date.
But, when I remembered later in the day it was his birthday in Australia, it was obvious today was the day to share.
It's currently his birthday in Melbourne and London.
So, the penguins and I are raising a toast to an old friend.
Love and miss you, Anthony. Always. xx